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A mostly unattended generative piece on the eurorack, just letting this one run.
This patch only uses 4 main voices. 4ms Ensemble (Vangelis brass), MI Plaits (Synth parts), 2xAcid Rain Chainsaws (Bass and partial chords). Plus, a loop via Lubadh (improvised recording from Wavestate) and the background noise/traffic sample.
#ambientmusic #relaxingmusic #meditationmusic
Patch Notes:
Main clock from Pamela's New Workout, into Ladik R-110 for the random trigs/gates which are essential to this patch.
(Synth voice - Plaits)Trig 1 goes through a Ladik S-090 Skipper at around 60%, which also is being CV modulated via Modbox with a very slow LFO. Trig 1 is then sent to Sinfonion Arp Clock input, which is also copied out to Delta V envelope generator slow atk/decay (decay modulated gently via one of Ochd's outputs). This envelope controls Plaits output via the built into VCA in Delta V. Sinfonion Arp 1v/Oct Out goes into Plaits (arp set to either random or Brownian). Plaits Timbre is modulated via URA A-Out, Harm by B-Out, and Morph by another channel of Ochd. Plaits also receives fast sine LFO FM for vibrato. Plaits then goes through Belgrad, with v/oct modulated by second channel of Delta V 50%atk, 50%dcy (same Trig 1 activates it), which is also copied to Ochd CV input to modulated Ochd speed everytime the envelope is triggered. Belgrad set to 6th filter, FM on, 60% resonance. Span modulated via slow LFO of Ochd, and FM modulated by fast LFO of Ochd.
(Vangelis lead - 4ms Ensemble) Gate1 from Ladik R-110 into Skipper set around 50% (CV modulated) via slow LFO from Modbox. Output from Skipper goes to Quadigy channel 1 and copied to Trig input on RndStep, copied again to Time Warp Gate input. Quadigy Ch.1 Envelope to Tallin linear input, slow attack/decay. Input into Tallin 4ms Ensemble Out B, Balance set to 70%, Twist, Warp and Cross FM all at 0%. Twist opens up via Ch.2 of Quadigy which is tied to Ch.1's trigger, and also has a slow atk/decay for the synth swell. RndStep Bipolar output (attentuated) goes to Ch.3 on Sinfonion, with Ch.3 Sin output going into Time Warp (for Slew), out from Time Warp into 4ms Ensemble 1v/oct input.
(Chainsaw Bass) Ch.1 Output from Sinfonion provides notes, into Chainsaw 1v/oct input. Chainsaw then into Freak filter (Steiner-Parker model), cutoff modulated via Ch. 4 of Quadigy which is triggered by PNW very slow/divided pulse into Skipper.
(Chainsaw 2-note chords) Sinfonion chord Out 1 and Out 3 to second Chainsaw, then out to dual Cinnamon filters set to low-pass, with soft/slow LFO over cutoff via Batumi.
(Sinfonion Key Change) Sinfonion song set to just two steps = E7 to A Major. In1 on Sinfonion set to advance through steps via Trig. Trig comes from PNW slow/heavily divided gate into another Skipper, then to Sinfonion.
Lubadh plays back improvised recording from the Wavestate.
My rack on Modular Grid (updated on 6/12/20): https://www.modulargrid.net/e/racks/view/1138978
Recorded direct to DAW
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Kalle Stropp, Grodan Boll och deras vänner (1956) VHSRIPPEN (Svenska) Hela Filmen (4K)
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We're glad to announce that NTA @ntanewsnow has acquired the rights to beam 'live' the 2019 AFCON in Egypt.
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The 2nd Anniversary of Governor Caleb Mutfwang's The Time Is Now Administration, Holding at Polo Field Jos, Plateau State on Thursday, 29th May 2025.
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Sledgehammer AI Music Video by Kush
Placed in the Top 10 as Finalist for StabilityAI's DiffuseTogether Contest.
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This video was created using a spreadsheet and Stability AI tools for the DiffuseTogether competition featuring the music of Peter Gabriel.
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Peter Gabriel had always been ahead of his time when it came to music. He had always pushed the boundaries and experimented with new sounds, but as he aged, he realized that his time in the spotlight was limited. He wanted to find a way to continue his music long after his physical body gave up on him. That's when he discovered the Metaverse.
The Metaverse was a virtual world where people could exist as digital beings. It was a place where one's consciousness could be uploaded and one could exist forever in a virtual world. Peter Gabriel saw this as the perfect opportunity to continue his music career long after his physical body had deteriorated. He began working on a project that would allow him to upload his consciousness into the Metaverse and transform himself into a cyborg performer.
Using advanced AI and spare parts, Peter Gabriel worked tirelessly to create the perfect cyborg version of himself. He called it the "Sledgehammer," after his hit song. As he worked, he couldn't help but think of the lyrics to the song, "I kicked the habit. Shed my skin." He was shedding his physical body and becoming something new, something immortal.
Finally, after months of hard work, the Sledgehammer was complete. Peter Gabriel uploaded his consciousness into the cyborg body and emerged as a digital being. He was no longer bound by the limitations of his physical body, and he could perform his music for eternity. As he took to the virtual stage, he sang the lyrics to "Sledgehammer," his metaphor for his transformation into a cyborg performer.
"I'm your Sledgehammer. Let there be no doubt about it." Peter Gabriel was now a force to be reckoned with in the virtual world, a performer that would never tire or grow old. "I've kicked the habit. Shed my skin. This is the new stuff. I go dancing in." He was dancing in the Metaverse, free to perform his music for all eternity.
As the concert came to an end, Peter Gabriel felt a sense of satisfaction that he had never felt before. He had achieved immortality through his music, and he knew that his legacy would live on long after he was gone. "You could have a steam train. If you'd just lay down your tracks." Peter Gabriel had laid down his tracks, and now he would ride the steam train of his music into eternity.
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Sharpen your knives, break out your bamboo rolling mat, and come to attention because class is back in session! Join Taka Sakaeda, executive chef and co-owner of Nami Nori, as he expertly demonstrates how to make (almost) every type of sushi. From artfully simple nigiri to complex and colorful chirashizushi, chef Sakaeda explains the why’s and how’s behind each ingredient, tool, and method he employs in preparing sushi - arming you with the knowledge to make your own at home.
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With interest rates at a 22-year high, Michael Pugh says Black business owners crunched for cash should look to community-based financial institutions for help.
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August is National Black Business Month, and ForbesBLK is highlighting the theme with special discussions about sustaining and expanding Black firms. Based in Harlem, Carver is one of the largest Black-run financial institutions in the U.S., celebrating its 75th anniversary in 2023. The bank is named after George Washington Carver and trades on the NASDAQ. Pugh was named CEO in 2012.
Black businesses generated $206 billion in annual revenue and supported 3.56 million U.S. jobs in the last decade, according to the non-profit Brookings Institution. However, though Black people comprise 14.7% of the U.S. population, the community represents 12.4% of sole proprietorship and only 2.4% of employer businesses. Brookings said the stats show “disparities” that hold back Black entrepreneurs and “restrict economic opportunities for entire communities, which in turn impacts local prosperity.” Brookings also notes that access to sufficient capital remains a lingering issue for Black-owned businesses. That causes entrepreneurs to rely on personal funds and credit cards to finance operations.
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Välkommen Till Astrid Lindgrens Värld (1981-2024) DVDRIPPEN (Svenska) Biotrailer (4K)
Le Forum ELIT...<br /><br />Un espace de recrutement pour des entreprises souhaitant recruter dans la diversité et/ou à destination du continent Africain.<br /><br />L'African Business club en sera à sa 4ème édition le 23 avril 2009. Les même lieu : ESCP EAP au 79 avenue de la république.
Kalle Stropp, Grodan Boll och deras vänner (1956) VHSRIPPEN (Svenska) Hela Filmen